Ubiquitous
2024-12-18 17:20:21 UTC
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Permalinkthe time. The problem began when TOS designer William Ware Theiss couldnt
return for the film, and the producers hired theater veteran Fletcher
instead. Fletchers ambitions matched those of Roddenberry, and the two egged
one another on in designing futuristic clothing, with no regard for the
actors practical concerns. Most irritating were the shoes sown into the
trousers, which made dressing and undressing a complicated ordeal. So hated
were the TMP costumes that the cast refused to sign on to Star Trek II
without assurances that the jumpsuits would not be reused.
Difficult as they actually were, Roddenberry and Fletchers ideas still have
value. Even though cast members such as Nichelle Nichols and Grace Lee
Whitney quite liked the miniskirts women wore in TOS, its hard to deny that
they felt retrograde by the late 70s. Furthermore, by moving assignment
colors from the red, gold, and blue tunics worn in TOS to patches and
insignias, the movie emphasized the fundamentally egalitarian nature of
Starfleet. Sure, Kirk can and does pull rank on Decker (look up the actors
wiki if you feel bad for ol Bill Decker and youll think he got off easy),
but the similar colors and tones of the uniforms suggest that anyone has the
ability to rise in Starfleet.
But the most important aspect of the costumes is how they move away from the
rigid military style implied in TOS and accentuated from Wrath of Khan
onward. Despite his extended time working with the LA police department,
Rodenberry always wanted to downplay the military or law and order aspects of
Starfleet. Yet, even when wearing costumes that resembled regular sailors
sweaters, Kirk and crew looked like naval officers.
By changing into soft (looking) materials and colors, the costumes erase all
sense or rigidity and action. Even the security detail, who drape ridiculous
looking helmets and chest plates over their tan duds, dont seem ready to
leap into the fray. Instead, the costumes look best suited for contemplation,
for rumination, for taking things slowly. And if theres one thing that The
Motion Picture does best, its take things slowly.
Need proof? Check out McCoys arrival on the ship, complete with shaggy beard
and a glistening medallion nestled amidst a rug of chest hair. Bones wasnt
happy to come aboard, but he fully embodied the free-wheeling attitude of
TMPs costumes, ready to hang loose instead of man battle stations.
Its not hard to see why the franchise has stuck with the naval uniforms that
director Nicholas Meyer insisted upon for Wrath of Khan, much to
Roddenberrys chagrin. The crew looks regal in the outfit, befitting
characters who have spent years traveling across deep space.
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Let's go Brandon!